"Mary
Ann McSweeney reveals herself to bein no particular ordera
talented bassist and bandleader, a resourceful composer and
an imaginative arranger. To begin with, the musicians on the
album are outstanding. Opting for the slightly unusual frontline
of trombone and saxophone, McSweeney enlists Mike Fahn and Donny
McCaslin respectively.
Fahn plays both valve and slide trombones, and McCaslin switches
between tenor and soprano, giving McSweeney additional colors
to work with. Henry Hey, a budding master, provides wonderful
orchestral viewpoints at the piano. Tim Horner, at the drums,
serves as McSweeney's partner in rhythm, and percussionist Joe
Mowatt appears on three tracks.
The album gets off the ground with "R.B.'s
Tribute," a blues co-written by McSweeney and Fahn in honor
of Ray Brown. Four of the remaining seven tracks are McSweeney
originals: "Stillness," a ballad with dark, beautiful harmonies;
"Winter on the Bay," an evocative waltz; "Nana's Tango," a dynamically
varied piece with a "Spanish tinge;" and "Thoughts of You,"
a closing piano trio feature. On Wayne Shorter's "Yes and No"
and the Raye DePaul standard "You Don't Know What Love Is,"
McSweeney toys with 6/8 time in different ways and throws new
harmonic challenges at the soloists. Her arrangement of "Amazing
Grace" features Henry Hey on Fender Rhodes and places the solos
over a half-time funk groove. There's arguably something of
a church flavor here, even as McSweeney takes the old spiritual
well beyond its familiar bounds. There's much improvisational
brilliance on the record, not least from the leader, who gives
herself plenty of solo space. But what elevates Thoughts
of You above the ordinary is McSweeney's gift for song."
David R. Adler,
All Music Guide
"If
you haven't heard of bassist Mary Ann McSweeney, you should.
After years of work on both coasts with names like Dizzy Gillespie
and the Diva Big Band, McSweeney has released a brilliantly
conceived and executed album that she leads.
"The fact that McSweeney leads Thoughts
Of You is another reason for attention. Few bassists are
leading their own groups, with the notable exceptions of, say,
Dave Holland and Avishai Cohen, let alone securing recording
opportunities for the groups with a nationally distributed label.
"While McSweeney's buoyant work on the bass
and her melodic sound capture the imagination of the listener,
the true value of Thoughts Of You is the excellence of
the group's work. Ever present, McSweeney sets the tone for
the tunes, as did, for example, Mingus. Her arco introduction
of "Stillness" quietly and ruminatively lays down the foundation
of her composition, even before soprano saxophonist Donny McCaslin
and valve trombonist (and McSweeney's husband) Mike Fahn come
in. From her quiet outlines of the piece, "Stillness" builds
into a haunting performance not unlike Tadd Dameron's "Fontainebleau"
in its harmonic achievement.
"And yet, McSweeney's attitude on "R.B.'s Tribute"
possesses an entirely different quality as she reminds listeners
of the infectious swing of her earliest inspiration, Ray Brown.
The loping bass lines, animating a modified blues, establish
the tune's mood, even as she breaks into a straight 4/4 walking
bass line. Fahn follows the suggestion of swing, his valve trombone
an important presence on this album.
"McSweeney's imagination involves the combination
of seemingly conflicting ideas--which often is a successful
means to attain an inspiring synthesis. "Amazing Grace," rather
than following the conventional gospel references or the sing-along
slowness, instead merges Jaco Pastorius' groove from "Teen Town"
with the altered melody of the tune, thereby finding a unique
approach that previously had never been recorded."
Don Williamson